A year ago, one of Arc Manor’s featured novels was released:
Hot Moon: Apollo Rising, Book I.

In celebration of this hot novel’s one-year anniversary, we’re revisiting an interview with the author Alan Smale by Isaac E. Payne.

This is part 2 of that interview, if you missed part 1, find it HERE.

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ABOUT HOT MOON – FROM THE PUBLISHER:

“A nail-biting thriller.” −Publishers Weekly

“I loved it. Great ‘hard’ science fiction with convincing space battles. “−Larry Niven

From the Sidewise Award-winning author of the acclaimed Clash of Eagles trilogy comes an alternate 1979 where the US and the Soviets have permanent Moon bases, orbiting space stations, and crewed spy satellites supported by frequent rocket launches.

Apollo 32, commanded by career astronaut Vivian Carter, docks at NASA’s Columbia space station en route to its main mission: exploring the volcanic Marius Hills region of the Moon. Vivian is caught in the crossfire as four Soviet Soyuz craft appear without warning to assault the orbiting station. In an unplanned and desperate move, Vivian spacewalks through hard vacuum back to her Lunar Module and crew and escapes right before the station falls into Soviet hands

Their original mission scrubbed, Vivian and her crew are redirected to land at Hadley Base, a NASA scientific outpost with a crew of eighteen. But soon Hadley, too, will come under Soviet attack, forcing its unarmed astronauts to daring acts of ingenuity and improvisation.

With multiple viewpoints, shifting from American to Soviet perspective, from occupied space station to American Moon base under siege, to a covert and blistering US Air Force military response, Hot Moon tells the gripping story of a war in space that very nearly might have been.

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We’re back with the second part of our interview with Alan Smale! His new book, Hot Moon, is rooted in an alternate 1979, where Soviet spacecraft meet NASA ships in space.

In this part, we continue our conversation about Hot Moon, as well as Smale’s future plans and writing process.

IP: What was it about the Apollo program specifically that sparked the idea for Hot Moon?

AS: One of the great things about the Apollo program was its ambitiousness. We went from zero-to-sixty in space very quickly, with the Mercury and Gemini programs leading up to it. All of which had the obvious aim of sending Americans to the Moon and back again.

And that goal caused a huge amount of technological innovation in a very short time. There were a lot of risks involved and a lot of hairy moments, especially with Apollo 13. There was a great deal of improvisation and ingenuity, on top of those aspects which were extremely well-planned. So I think it’s very fertile ground for fiction.

The Moon landings themselves were incredibly impactful, and it was just great fun to see people bouncing around on the Moon’s surface. In Hot Moon, I tried to bring out that excitement. I mean, the book is a thriller, but I think I managed to get quite a bit of the thrill over the space program in there as well.

Plus, there’s the conflict aspect of the story. In Hot Moon, we see the first space battle, between the Apollo spacecraft, the combined Command and Lunar Module, and the classic Soyuz Soviet craft. These spacecraft were frankly very clunky technologies, and I think those scenes are unlike anything people have seen in fiction before, or at least I haven’t read anything like it. Writing it was great fun, and it was exciting to extrapolate and think about how the technology could have been improved in the late 1970s and early 1980s, if the two superpower space programs had continued on with the same frenetic pace.

So I had a blast writing it and it’s getting good reactions from readers so far. I’m very happy with it.

IP: Had your timeline been a reality, and the US had continued at the same pace, what would your prediction for 2079 be, in terms of space exploration?

AS: When I was a kid, I was convinced that my future lay in space, that by the time I was the age I am now, I’d be living and working in space. In the 1960s, there was no particular reason for me to think that wouldn’t happen. People were talking about going to Mars by 2000, and if we’d kept up the investment in space and everything had gone well, we could possibly have done that.

Of course, there would have been factors that slowed down progress. There would have been a lot of the same societal pressures that happened in our existing timeline. Some people would have been concerned about the cost, and the value of going off-world. 

But if we’d managed to keep up the momentum, I certainly think that we could have visited Mars, and had human flybys of Venus, among other things, in my lifetime.

2079? Whether we could have set up permanent colonies in space by that time, I’m not really sure. I guess if we’d pushed really hard, we might’ve gotten to it in one hundred years, but it’s very hard to extrapolate that far. There are so many factors that go into making space colonies or visiting Mars a reality. The politics, in particular, are challenging. Incoming administrations like to shape the space program in their own way and set new priorities. In our own history, the flow of money to NASA was a constant issue all the way through that period, and remains so today.

IP: Do you think privatized space operations like SpaceX or Blue Origin are improving our chances of getting to Mars and exploring farther?

AS: I think the energy that has come into the human space flight arena from the private sector is generally a good thing. There are obviously some personalities involved that can be a bit problematic, but I think in terms of increasing the pace of exploration, and pushing the envelope, the private space companies are a welcome addition to what NASA is doing.

And, to be honest, I wouldn’t be at all surprised if the first human to land on Mars got there as a result of a private space flight rather than a NASA mission.

IP: Is there any level of collaboration between NASA and these other privatized space programs?

AS: Oh yes, there certainly is. A lot of the flights to the ISS, the International Space Station, are being conducted by the private sector. There’s actually quite close collaboration between many of the private companies and NASA.

IP: Interesting! Jumping back to Hot Moon for a second, can you tell me a little more about the Apollo Rising series? Can we expect to see another 15 books or will it be a trilogy?

AS:  I think it’s very unlikely that it will turn into 15 books. I don’t have the energy for that! I put quite a lot of effort into writing Hot Moon.

I originally conceived Hot Moon as a standalone, and that’s how I was marketing it and trying to sell it. My agent was considering it that way when she was sending it out to publishers, too.

But then, once CAEZIK bought Hot Moon, we got a lot of positive reactions and a number of nice blurbs from really high-powered authors. My publisher, Shahid Mahmud, had a lot of faith in the book, and so we started talking about a sequel. I admit, I didn’t immediately jump at the idea. I wanted to go back and think it through.

I took a couple of months to think about where the story would go. Surprisingly, I discovered in reading back through my notes that there were actually quite a few ideas that I hadn’t made the most of. Not loose ends, as such – Hot Moon is still complete in itself, and still reads well as a standalone. But there were characters that hadn’t really come to the foreground in the first book, people who could make a big mark in the second. The ideas started flowing, and I began to see all kinds of opportunities to continue the story, and came up with what I think is a very satisfying plot.

Just like Hot Moon, the second book – Radiant Sky – will stand up on its own, with its own story arc. We have the same lead character–my astronaut, Vivian Carter–and many of the other people from Hot Moon will be returning. There will also be a number of new characters, and the story will go in directions that I don’t think most readers will be expecting.

Whether there’ll be further books beyond Radiant Sky, I don’t know. I’m only contracted for the first two books, so we’ll have to wait and see. If they’re successful, if they find their audience, I’d hope there’s a good chance of a third book. I doubt that I’d want to go beyond three …  but then again, in the beginning I thought Hot Moon would be a standalone. So I guess anything could happen. It’s kind of an evolving process, I’d say.

IP: Have you started writing the second book?

AS: Yes, I have. When I pitched it to CAEZIK I sent a very detailed outline – probably a lot more detailed than they were expecting. They’d asked for something relatively short, but what I sent was eighteen pages of fairly dense prose. In addition to describing the plot in detail, I really wanted to work through the politics in the background, and the new technology as well. I guess I was proving to myself as well as to my publisher and editor that I really had the goods to do this.

I think I must be one of the few authors who pitches books with a technical appendix!

As far as the writing goes, I have about 50,000 words of Radiant Sky written now, but they’re very, very rough draft words.

I still need to do quite a bit more editing on them before I can really show them to anybody, but I’m working through various scenes, fleshing out my ideas, and making sure everything hangs together. I’ve made decent progress, but I have a lot more work to do.

IP: In addition to the Hot Moon sequel, what other projects do you have in the works?

AS: I do have a number of new ideas rattling around, and I still have some activity going on with my first trilogy, Clash of Eagles, which came out from Del Rey. Those books are set in a completely different world, in which the Roman Empire survives into the 13th century in its classical form and is now moving into North America.

The Clash trilogy was published between 2015 and 2017, and even though the series is finished, there’s still quite a bit of interest in them. I still get interviews with people wanting to talk about those books. I might go back to that world in the future for some shorter fiction, and I still think about that a lot.

But I do like dotting around history and exploring various times and places. I have several pieces of short fiction fermenting in my mind, and when I get time I’ll start on those.

Also, Rick Wilber and I collaborated on a long novella, or maybe a short novel, called “The Wandering Warriors” which was originally published in Asimov’s, and then came out as a book from WordFire Press in 2020. Rick and I are very keen on this world that we made. It’s a time travel story that combines his passion for baseball and my interest in ancient Romans. So we’ve actually written a story about Roman baseball, and it was quite successful. And he and I are working together again, throwing ideas back and forth about how we might write a sequel to that. It’s a really open-ended concept that we could continue to have a lot of fun with.

So I have various projects going on in the background and a lot of ideas percolating, but promoting Hot Moon and writing Radiant Sky are really my main focuses right now.

IP: So this is kind of a different question. How do you manage keeping a balance between writing fiction and writing professionally for your job? Can you describe what that process looks like?

AS: Yes, certainly. If there are days when I’ve done a lot of technical writing for work, like writing a paper or a report, I would say it’s very difficult to write creatively after that.

But there are other days where I spend a lot of time in meetings, reading up on something, or talking to people. On those days I can really focus on writing in the evenings. For obvious reasons, I do most of my writing on evenings and weekends. I have a lot of very busy weekends where I’m trying to get down to as many words as possible and also do all the day-to-day life stuff that I have to do.

So, I’m not sure I have a process as such, but I do have to manage my time very carefully. And yes, it is sometimes hard to get my brain to do all the things I need it to do!

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A big thanks goes out to Alan for having this chat! If you like the sounds of Hot Moon, it was released on July 26th, 2022, and is available on ebook, in paper, and as an audiobook.
Find all versions HERE.

To learn more about Alan’s writing, check out his website!

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Follow Arc Manor Books at:
Twitter / Facebook / Instagram

A year ago, one of Arc Manor’s featured novels was released:
Hot Moon: Apollo Rising, Book I.

In celebration of this hot novel’s one-year anniversary, we’re revisiting an interview with the author Alan Smale by Isaac E. Payne.

~~~

ABOUT HOT MOON – FROM THE PUBLISHER:

“A nail-biting thriller.” −Publishers Weekly

“I loved it. Great ‘hard’ science fiction with convincing space battles. “−Larry Niven

From the Sidewise Award-winning author of the acclaimed Clash of Eagles trilogy comes an alternate 1979 where the US and the Soviets have permanent Moon bases, orbiting space stations, and crewed spy satellites supported by frequent rocket launches.

Apollo 32, commanded by career astronaut Vivian Carter, docks at NASA’s Columbia space station en route to its main mission: exploring the volcanic Marius Hills region of the Moon. Vivian is caught in the crossfire as four Soviet Soyuz craft appear without warning to assault the orbiting station. In an unplanned and desperate move, Vivian spacewalks through hard vacuum back to her Lunar Module and crew and escapes right before the station falls into Soviet hands

Their original mission scrubbed, Vivian and her crew are redirected to land at Hadley Base, a NASA scientific outpost with a crew of eighteen. But soon Hadley, too, will come under Soviet attack, forcing its unarmed astronauts to daring acts of ingenuity and improvisation.

With multiple viewpoints, shifting from American to Soviet perspective, from occupied space station to American Moon base under siege, to a covert and blistering US Air Force military response, Hot Moon tells the gripping story of a war in space that very nearly might have been.

~~~

We hope you enjoy learning about this author and his novel, and if we’ve piqued your interest, stop by the shop and pick up your own copy HERE. It’s a lot of fun!

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It’s not often that you see a hard science fiction novel crafted with such care and meticulous research as Hot Moon by Alan Smale.

Astrophysicist by day, award-winning author by night, Alan Smale’s newest book is about an alternate 1979 where the Soviets are bent on wresting the Moon from NASA’s hands. This sci fi novel features accurate details of orbital mechanics, daring feats of ingenuity, and a thrilling battle in space.

We sat down with Alan to discuss how he started writing, the inspiration for Hot Moon, and his future plans.

Isaac Payne: So Alan, I know that not only are you an award-winning author, you’re also an astrophysicist for NASA. Tell me, how did you decide to get into astrophysics?

Alan Smale: Sure. It really started when I was a kid. I was always interested in astronomy, and fascinated by the Apollo program as well. I used to go out in the backyard with my dad when I was young and look at the Moon and planets, the stars and galaxies. I stayed interested in astronomy for all of my formative years.

And then later on, I went to college to study physics at the University of Oxford, they had optional astrophysics courses in the first and third year, and so I took those and enjoyed them thoroughly.

After my bachelors degree, I was accepted for a doctoral program. It’s actually called DPhil in Oxford, Doctor of Philosophy, rather than a PhD, but it’s the same thing. I did optical and x-ray astronomy research there for three years or so while earning my doctorate. After that I did a post-doc at the Mullard Space Science Laboratory, part of University College London.

When my first post-doc ended, I moved to the States to take up a job at NASA, at the Goddard Space Flight Center. I’ve been with NASA ever since.

IP: What kind of research do you do at NASA?

AS: I study low mass x-ray binaries, which are binary star systems that are quite tightly bound, and one of those stars is a compact object, either a black hole or a neutron star. These are extremely dense objects. Material from the more normal companion star spirals into that compact object, and that’s where the x-rays come from. If we study those sources by looking at both the x-rays and the optical emission, we can learn a lot about them.

IP: So obviously you’ve been pretty ingrained with science and astronomy since you were young. Were you an avid science fiction reader, too?

AS: Oh, yeah, I cut my teeth on all of the old classics. When I was growing up, I read a lot of Isaac Asimov, Ursula Le Guin, Robert Heinlein, Arthur C. Clarke, Ray Bradbury, Larry Niven. All of this stuff was really prevalent in the atmosphere around me at the time.

I’ve been interested in science fiction all my life, as well as science and astronomy. In fact, all the sci-fi I read probably played a big role in my interest in the sciences. The space program, astrophysics, and science fiction have always coupled together quite tightly, for me.

IP: And when did you start writing science fiction? Did you start pretty early on with that as well?

AS: I started writing science fiction in a very juvenile kind of way. When I was a kid I used to write what now would be called Star Trek fan fiction. But I really started writing seriously for publication when I turned 30. I was already living in the States and working at the Goddard Space Flight Center by then. I’d finished my academic studies, and I was no longer a student at that point, so I had a little more free time. Then, pretty soon after that, I started having stories accepted.

IP: What was the name of your first publication?

AS: It was a short story called “The Breath of Princes” and it appeared in the A Wizard’s Dozen anthology from Harcourt Brace, edited by Michael Stearns.

It was actually a fantasy story, which is kind of funny looking back on it now. In fact, my first two or three published stories were fantasy, but over the past fifteen years, most of my writing has been alternate history or hard science fiction.

IP: What about the genre of historical fiction do you find fascinating?

AS: I’ve always been a history buff. Growing up in England, there was a lot of history around. My family used to go to Hadrian’s Wall for vacations, and to Bath, so I got to explore a lot of Roman ruins and remains there.

I’m not actually sure what the precipitating event was that made me focus on historical writing, but one thing about it is that it’s very different from my day job. I feel as though I’m using very different mental muscles when I’m writing history-based speculative fiction than when I’m doing academic research.

My most recent book, Hot Moon, is very technical, hard science fiction, but until I got to that book, most of my fiction writing was in a different head-space from the day-job work I was doing. Doing scientific research is very different from writing about history, so it was a complete break for my brain, the two sides didn’t bleed into each other.

It feels very refreshing, somehow, when I’m working hard at both science and writing. A change is as good as a rest!

Anyway: I’d always been fascinated by history, and by some of the older alternate history tales. Books like Lest Darkness Fall by Sprague de Camp, and The Man in the High Castle by Philip K. Dick.

The past is a very fertile playground for fiction. And one of the things I like about alternate history is that it kind of holds up a mirror to the real history; I get the resonances of what really happened, underlying the tale that I’m telling, and they both reinforce each other and play off each other.

If you know the real historical events, then you’ll know that the events in a given story are different because of a different result in a war, or an election, and perhaps different people are in the foreground. And by doing that, it kind of makes you think about how history is made. Who the important people are. How history really works.

I just found myself gravitating more and more to that kind of writing over the last 10 or 15 years. Over that period, a lot of my reading has been historical non-fiction, and most of my writing output has been historically based.

IP: You mentioned that Hot Moon is hard science fiction, as well as being an alternate history. Can readers expect for Hot Moon to stay within the bounds of 1979 astrophysics, or does the book move into science fiction with more advanced technologies?

AS: I definitely stay within those bounds. There’s nothing in Hot Moon that wouldn’t have been possible with the technology that they had back then. I spent a lot of time researching the Apollo program, which was a real labor of love because as I mentioned before, I was really into it when I was a kid.

I spent a lot of time getting into the nuts and bolts of the technology, really getting deep into figuring out what was possible and what wasn’t. I obey the laws of physics throughout the book, which is actually a pain because orbital mechanics are quite complicated and it really constrains what my characters can do! They need large amounts of fuel for relatively small orbit changes, for example, and things like that.

So in the first book, there is nothing that wasn’t possible with the technology of the time. The Apollo and Soyuz spacecraft, the Lunar Rovers, and other hardware in the book either existed in the 1970s, or could have been in existence in that timeframe if the US and Soviet space programs had continued. There would have been no technical showstoppers with implementing any of the vehicles, machinery, or bases in Hot Moon.

In the second book we’ll certainly see more of the speculative technology that was suggested at the time. These are ideas that people had done a bit of experimentation with, some prototyping and technical development, but which never came to fruition. There were a lot of bright ideas around then, but a lot of those programs ended up being canceled, or not coming to fruition for other reasons.

So, overall, I’ve tried really hard to keep the science very close to reality. There’s a key political difference in how we get to the world of Hot Moon in 1979. And one of those differences is that the US involvement in Vietnam is much more limited, and of a shorter duration.

As a result, the US has quite a lot more money. In reality, the US couldn’t possibly have pursued the war in Vietnam and the Space Race simultaneously without making huge concessions elsewhere. So, a different Vietnam War, and a rather different Cold War, are central to the Hot Moon universe.

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Make sure to check out the second part of our conversation with Alan Smale, right here on the Signals from the Edge blog next week!

In the meantime, check out another one of our interviews: CAT RAMBO & JENNIFER BROZEK

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