Qntm (pronounced “quantum”) is a software developer and a writer known for pushing the limits through his mind-bending stories that incorporate science, horror, science fiction, and alternatives to the reality we live in as humans on Earth. We sat down to chat with qntm about his most recent publication.Continue reading “INTERVIEW WITH AUTHOR QNTM ON HIS LATEST BOOK”
Over at Galaxy’s Edge Magazine, issue #59 has been released this month. Here are some highlights:Continue reading “GALAXY’S EDGE MAGAZINE: ISSUE 59, NOVEMBER 2022 — HIGHLIGHTS”
We are beyond excited and honored to announce that award-winning author: Oghenechovwe Donald Ekpeki’s anthology collection of The Year’s Best African Speculative Fiction: Volume I (originally released 2021) won the World Fantasy Award for Best Anthology in 2022, and is being rereleased by Arc Manor Books in 2023!
Edited by Oghenechovwe Donald Ekpeki, The Year’s Best African Speculative Fiction collects twenty-nine stories by twenty-five writers, which the press describes as “some of the most exciting voices, old and new, from Africa and the diaspora, published in the 2020 year.”
The anthology includes stories from Somto O. Ihezue, Pemi Aguda, Russell Nichols, Tamara Jerée, Tlotlo Tsamaase, Sheree Renée Thomas, Tobias S. Buckell, Inegbenoise O. Osagie, Tobi Ogundiran, Chinelo Onwualu, Moustapha Mbacké Diop, Marian Denise Moore, Michelle Mellon, C.L. Clark, Eugen Bacon, Craig Laurence Gidney, Makena Onjerika, T.L. Huchu, Yvette Lisa Ndlovu, Derek Lubangakene, Suyi Davies Okungbowa, Shingai Njeri Kagunda, WC Dunlap, ZZ Claybourne, and Dilman Dila.
Don’t know who Oghenechovwe Donald Ekpeki is, yet? Well, you will. This week we revisit an interview that Signals From the Edge blogger, Isaac Payne, had with him earlier this year … and since so much has happened since then, head over to Oghenechovwe’s site and catch up on everything new!Continue reading “Arc Manor Spotlight: Oghenechovwe Donald Ekpeki & The Year’s Best African Speculative Fiction: Volume I”
An award-winning author, and a regular to the pages of Galaxy’s Edge Magazine, writer and editor Mica Scotti Kole gave us the chance to peal back the pages and get a glimpse inside the life of a dreamer, artist, and someone who has followed her dreams straight into a reality …Continue reading “Interview with Author Mica Scotti Kole”
Nancy Kress is one of science fiction’s crown jewels. She is a writer of powerful science fiction, having won Hugos and Nebulas. She also is known as a talented writing teacher.
September’s issue of sf and fantasy magazine Galaxy’s Edge has an insightful interview by the wildly talented author. To read her own personal thoughts on her career (and to access the full interview) you can click the magazine link to see the many options available for buying this wonderful 28th issue.
To whet your appetite here is an exclusive excerpt:
Joy Ward: How did you get started writing?
Nancy Kress: By accident. I had never planned on being a writer. When I was a child, I thought all writers were dead because the writers I was reading were Louisa May Alcott. I really did not realize that writing was a commodity that was still being produced. I thought it was like oil, there was a finite amount of it.
Then I discovered that there were actual writers living and this completely shocked me, but I come from a very conservative Italian-American family, and I grew up in the 1950s. So my mother sat me down when I was 12 and said, “Do you want to be a teacher, a nurse, or a secretary?” Because those were the only possible things she could think of, and I thought it over and I said, “Okay, I’ll be a teacher.” So I became a fourth grade teacher, and I was for four years. I enjoyed it. Then I got married and had my children. I was pregnant with my second child. We lived way out in the country. There were no other women at home. They were all older and had gone back to work. My then husband took our only car to work, and he was taking an MBA, so he often didn’t come home for dinner; he stayed for classes. I was there with my one-year-old- 18-month-year-old, very difficult pregnancy, and I was going nuts.
I started writing to have something to do that didn’t involve Sesame Street, and I didn’t take it seriously. It was a thing I was doing while the baby was napping, to try to have something of my own. I would send them out. They’d come back. I’d send them out they’d come back. After a year, one sold. After another year, a second one. After another year a third one sold, then it started to pick up and I began to take it more seriously, but I didn’t plan on doing this.
I remember (selling the first story) very well. It was to Galaxy, which is a magazine long-defunct. What I didn’t know is that everybody else had stopped submitting to Galaxy because it was trembling on the verge of bankruptcy. I had no connection with fandom. I didn’t know it existed, I didn’t know SFWA existed. I didn’t know conventions existed. When I first sold it, it turned out that nobody else was submitting anything, and they were desperate. So they published my story immediately then it went bankrupt. It took me three years to get my $105. I wanted it, and I kept writing and I’d say, “This is my first sale. I want my $105.” And for that eventually I think he had pity and he sent me the check.
I did it. I did that was what goes through my mind. Three words, “I did it.” I didn’t think I could, but I did it.
To read more go to Galaxy’s Edge for options on purchasing issue 28!
Kij Johnson is a Hugo winner, and a three-time Nebula winner (in consecutive years, yet!) and is acknowledged as one of the field’s leading short fiction writers. And this week, over at Galaxy’s Edge, Joy Ward interviews her about what it takes to be true to yourself as a writer:
“One of the most important things I ever say to my students is, everything else I teach them is just tactics, but the thing that I am always proudest of bringing up is: figure out why you’re writing. Really why you’re writing. Not, oh I have things worth saying or oh, I want to make a living or whatever it is.
But really if you go all the way down deeper and deeper and deeper, like spend two years in therapy with a therapist every single Tuesday. So why do you write? Usually the answer is somewhere in early childhood. So it’s a little kid response. I’m not ascribing any value judgment to that. Because mine, when you get right down to it, is parents were sort of emotionally absent and when I wrote I didn’t get praised for my writing very much but I didn’t get praised for anything else.
So my writing ultimately was a way of saying I’m not my mother and look at me to my parents. I also did a lot of art for the same reasons. That’s mine. We all have one, ultimately, underneath it all.
Whatever we say in interviews usually is the cover up. It’s the pat response we use to cover up the sincere response. I do it because the only time anybody took me seriously as a 5’10” Amazon blonde was when I wrote and they didn’t know what I looked like. Because they stopped staring at my chest long enough it took to read my story. So there are so many responses and so many of them sound venal or petty or small or something like that.
Those responses are not any of those things. Those responses are the heart that when we understand it gives us the spines that we build adulthood on. That’s what I always think of, so to me knowing that is the most important part of your writing cause if you know your reason for writing is because you’re competing with your dad and you didn’t know it. It’s like, as soon as you know that, now you can get away from writing your dad’s story or the stories that are going to school your dad about you and now you’re going to be able to tell the stories you want to tell. If you are doing it because you are insecure and you want people to look at you, that you’re smart or clever or cute or whatever it is, as soon as you know that, you are in control. Until you know it you don’t.
So I’m always telling undergrads but especially adults because we get those super complicated defense mechanisms that allow us to never, ever look at ourselves. That’s fundamental. That’s my answer really. It’s fundamental that we understand who we are and our smallest, pettiest, most selfish or narcissistic or greedy, envious little pieces. We can either counter or use to our advantage and make them work.”
Go to the interview page of Galaxy’s Edge Magazine to read the rest of this wonderful interview!
And if you liked this interview, check out our interview with author qntm!
Copyright © 2017 by Joy Ward.